Skip to main content

Strip Search, Episode 29 — David Sipress


David Sipress, the author in repose. (Photo by Nina Subin)


In this episode of "Strip Search: The Comic Strip Podcast," we had the great fortune to interview David Sipress — one of The New Yorker magazine’s most well-known contributors — about his wonderful new memoir “What’s So Funny,” a cartoonist’s origin story that delves into tortured family dynamics and hard-learned life lessons that can make you cringe and chuckle all at once. (The best kind of cringing, in our humble opinion.)

Given our Boston base-of-operations, we of course chatted David up about his time at the Boston Phoenix, along with the seminal moment in Harvard Square that presaged his entrance into the world of professional cartooning. But we also got into his creative process, his influences, what makes a New Yorker cartoon a New Yorker cartoon (spoiler alert: there is no such thing, at least not anymore), and why cartoonists (and other creative folk) have an advantage over, well, everybody else:

"For me, doing cartoons means that when those difficult things happen in life, the things that get you angry or scare you, there's always this place you can go to to to be creative and to feel the optimism that doesn't necessarily cure you of the bad feelings, but it just kind of gives you a way to navigate the situation that most people don't have," Sipress told us. "I feel enormously lucky that I that I have that creative bone in my body."

Listen to the whole episode below (or here), featuring our entire discussion with David, plus our take on the new "Bloom County" TV show that's in the works; a plug for the latest must-have comic strip compilation, "Next Door Neighbors" by our pal Pat Sandy; and the usual banter. (And you can also read a Q&A with David at Boston.com.)


If you like faces, you can also watch on video:




Some of the cartoons mentioned in the podcast:




Comments

Popular posts from this blog

Introducing Strip Search, the cartooning podcast

Hello all! Welcome to Strip Search, a new podcast where we'll be interviewing cartooning professionals and talk comic strips: their history, classic comics, the current state of the industry, and comics to watch out for. If you're a cartoonist or humorous illustrator and want to appear on the podcast with Dave and Pete, email us at petpeevescomic@gmail.com .

Strip Search, Episode 41 — Jimmy Craig

When most comic strip animals talk, they don’t exactly scream “realism.” It was hard to imagine that Garfield was speaking for most cats when he declared his hatred of Mondays or his love for lasagna. But the animals that populate “They Can Talk,” the wry, brilliant weekly webtoon by cartoonist Jimmy Craig, don’t just sound authoritative — they’re downright relatable. And fans of both comics and animals are clearly listening to what Craig’s creatures have to say. In the seven years since he launched the strip, it’s amassed 615,000 followers on Instagram, 658,000 on Facebook, and has spawned two books; the latest, “Are You Gonna Eat That?” from Ulysses Press , hits shelves this month. Listen or watch below as we catch up with Craig to talk about talking to the animals, and them talking back. You'll find samples of his work at the bottom of this post, and for more you can visit Jimmy's website, theycantalk.com , or his Facebook and Instagram feeds. (Plus, for his standalone New...

Strip Search, Episode 38 — Harry Bliss

It's not every day that Steve Martin calls looking for a new writing (or drawing) partner. And it's not every day we get to interview someone who got that call! But that's what happened with Harry Bliss. Bliss is a longtime New Yorker cartoonist with thousands of gag panels and several dozen covers under his belt, and — more recently — he's the collaborator with the aforementioned comedy legend on a series of books: 2020’s “A Wealth of Pigeons,” and this year’s bestselling “Number One is Walking,” a series of comic book-style illustrated anecdotes about Martin’s film career.  Harry sat down with us to talk about how that partnership came about and what Steve is like to work with, along with a deep dive into his cartooning style, his favorite cartoons and cartoonists, and his early days in the cartooning biz. (BTW, Harry contacted us later to identify the cartoonist behind one of his favorite gags, whose name escaped him when he mentioned it around the 35-minute mark — i...